Monthly Archives: July 2009

Pro Tools – Shortcut of the Week (2009.07.27)

Pro Tools is a strong multi-track editing program, but unless you’re willing to drop some change on a custom keyboard, it can be tough to learn all the keyboard shortcuts.  I’m featuring one a week in an attempt to highlight the tricks I find most useful.

Set and enable pre/post time roll: Option-Click with Selector before or after selection

This is a follow up to last week’s shortcut, and an easy way to adjust the pre and post roll times.  Don’t forget that Command+3 will get you over to the Selector tool.  Again, pre-roll is a great alternative to manually punching!

Creation ADC

creation_adc_500

The Altmann Creation ADC is a converter that contains ‘No Analog or Digital Filters.’  This is a really interesting claim.  Non-ideal brickwall filters will introduce some phase shift, but the consequences of not implementing the filters at all seems much, much worse.  Any content above the sample rate will alias down, creating a tones that are not harmonically related to the original signal.

Altmann Creation ADC

Pro Tools – Shortcut of the Week (2009.07.20)

Pro Tools is a strong multi-track editing program, but unless you’re willing to drop some change on a custom keyboard, it can be tough to learn all the keyboard shortcuts.  I’m featuring one a week in an attempt to highlight the tricks I find most useful.

Enable or disable pre/post time roll: Command+K

Pre-roll is a great tool for recording punch-ins, allowing you to specify exact points for both the start of playback and the record start points.  I’ve always preferred this to manual punching, probably because I haven’t practiced it much.  Regardless, being able to toggle the pre/post roll is a guaranteed time saver in a tracking session; I always find myself flipping between the two modes.

PS3SACD.com

I just stumbled onto this site the other day.  PS3SACD.com is a guide to the models of PS3 that support SACD playback, their availability, catalog, and mods to improve the audio quality.

Interestingly, none of the mods are circuit based.  They all have to do mechanical modifications, which will affect the resonance modes of the disc.  This improves laser tracking, but what if skipping isn’t an issue?  What sort of improvements will you hear?  I raised this question a while back, while discussing BluSpec discs.  It’s looking like I’ll need to dig into it a bit.

Pro Tools – Shortcut of the Week (2009.07.13)

Pro Tools is a strong multi-track editing program, but unless you’re willing to drop some change on a custom keyboard, it can be tough to learn all the keyboard shortcuts.  I’m featuring one a week in an attempt to highlight the tricks I find most useful.

Import Session Data: Shift+Option+I

When I’m doing a session with multiple songs for a group, I try to keep each song in its own session.  This always makes the edit and mix stages of the process much simpler.  After the first song I’ll create a new session and import the settings from the first song.  This shortcut makes things a bit easier.

2009 Art of Record Production Conference

The 2009 Art of Record Production Conference is happening November 13-15… at the University of Glamorgan, Cardiff, S. Wales.  While that may be a bit of a trip, it sounds like it’s going to be a great conference.  Pete Waterman, of Rick Astley and Kylie Minogue production fame, has been confirmed as the keynote speaker.

The 2008 conference was held in my backyard, Lowell, MA.  It was a fantastic opportunity to make some new connections and get some new ideas: the perfect way to spend a weekend.

Art of Record Production

Pro Tools – Shortcut of the Week (2009.07.06)

Pro Tools is a strong multi-track editing program, but unless you’re willing to drop some change on a custom keyboard, it can be tough to learn all the keyboard shortcuts.  I’m featuring one a week in an attempt to highlight the tricks I find most useful.

Loop Record: Option+L

Prior to Pro Tools version 8, I never found Loop Record to be that useful.  There were two distinct work flows for handling multiple takes: Loop Record, which created multiple regions stacked on top of each other, and playlists, which did not allow for loop recording but allowed you to flip between takes easily.  I preferred playlists, because of the simplicity of the visual management.  When a performer messed up a take, you could stop it and start back at the top without waiting for the loop.

With Pro Tools 8, you can configure your preferences to create a new playlist with every loop of the recording (“Automatically create new playlists when loop recording”).  With this option, loop recording is suddenly of use to me.  I can set up a performer to give me three takes back to back, letting them get into it and giving me consistent performances to comp between.

Play Track by Track

PlayRolling Stone published an interview with Moby today about the tenth anniversary of Play.  It’s an interesting read, but it’s more emotional than technical, unlike the Clarity Track by Track analysis I linked to recently.

Highlights: Moby’s least favorite tracks are my favorites, and he explains the reason for two mixes of South Side.

“Play” 10 Years Later: Moby’s Track by Track Guide to 1999’s Global Smash

Turn Me Up!

Turn_Me_Up_Logo_SmallSimilar to the the Pleasurize Music! project I mentioned a while, turnmeup.org is a website dedicated to increasing the dynamic range of new albums.  Their goals are stated as: 1) Defining an objective measure of dynamic range on a record, 2) defining a level of dynamics that is considerably more dynamic than today’s agressively limited records, but not so quiet that it wouldn’t be an option for contemporary artists, and 3) establishing and putting into place a system to measure and certify records that would like to be considered for Turn Me Up! certification.

They’re letting people join the organization as supporters, submit albums to be certified, and become mastering houses capable or certifying records.  This looks like an interesting project, and Vagrant Records (among others) is one of their corporate sponsors; I just hope this all leads somewhere!